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Dance Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'

In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his limbs defined beneath a simple tee. During performances, dancers can appear as mighty gods, yet frequently in person they are petite. Not so Ball, whose height is one reason for his popularity for heroic roles and partnering. With delicate features and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the company and was promoted each year, reaching the top rank of principal in 2018. He has relished tackling meaty dramatic roles, particularly the emotional angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming starring appearance is in a talk, in an "Evening With" event designed to offer intimate perspectives into a dancer's art. He will walk the audience through a part, showing his cognitive workflow while execution. Yet in more comedic works, the test is significant. "Don Quixote is one of the most demanding from a skill perspective," he notes.

The Mental Struggle and After the Show Feelings

How does he feel following a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed afterwards. After an intense role I'm always like: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Motivations and Artistic Inspirations

Ball's determination stemmed from youthful setbacks. Not excelling in competitions at school made him "vengeful!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next challenge is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from books, music, and art.

Close-Up Performance and Private Dynamic

He also is interested in presenting dance in more intimate spaces. "It was just really exciting," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not usually paired on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On social media, followers can see videos from his dance films and images that highlight a sculpted physique. Does he mind that the engagement can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be seen on various ways.

Ball describes his younger self as "eager for success." Did it met his hopes? "I am conscious of how reality is a separate reality to the dreams you made as a young person," he muses. He probably has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

By

Kristy Landry

A passionate educator and tech enthusiast based in Vienna, sharing insights on digital trends and lifelong learning.

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